#BlackLivesMatter, Instagram Slideshows, and participatory sensibilities in Summer 2020
This paper was presented at the 2022 National Communication Association for the Critical and Cultural Studies division in a panel entitled “Algorithms and Public Culture.”
This is a Slideshow about Slideshows
Hello! Thanks for having me. My name is Matthew Salzano, and I’m a Ph.D. candidate at the University of Maryland. My paper today is entitled “Installectual participation: BlackLivesMatter, Instagram Slideshows, and participatory sensibilities in Summer 2020.”
This is a slideshow about slideshows. If you were on Instagram during Summer 2020, you probably encountered graphics like these. Using Instagram’s carousel feature, users uploaded up to ten swipeable images per post to circulate social justice information on the platform.
My paper reckons with how the slideshow “formats” participation, as one particularly notable phenomenon to understand the infrastructure of digital civic life. I ask: What sensibilities of digital participation are being generated in this moment, and how do they enable and constrain coalitional movements for intersectional justice?
In today’s presentation, I identify a sensibility of participation generated by these slideshows that I call an “Installectual participatory sensibility.”
- To understand how the slideshow specifically formats participation, I begin by sharing a rhetorical history of the slideshow.
- Second, I reveal how users of Instagram slideshows build on these features and format a sensibility of participation.
- Finally, I argue that this installectual sensibility, while helpfully attuned to access and information, remains tethered to modes of judgment that tie participation in social justice projects to the metrics that benefit digital platforms, metrics that must be questioned in projects seeking intersectional justice.