I’m thrilled to share How to Sell a Gendered Fantasy, a collaboratively authored volume that emerged from my Spring 2025 graduate seminar, WRT 614: Intersectionality and Media. The volume, which would make a great textbook for an upper-level undergraduate or entry-level graduate course on media, criticism, or intersectionality, is freely available in the Stony Brook Academic Commons.
WRT614 was taught in my final semester at Stony Brook University’s Program in Writing and Rhetoric (I’ve since moved to the new Department of Communication). Rather than ask students to write standalone papers, I tasked students with working collectively to develop a shared theme, peer review submissions and revise extensively, and shape this book as a cohesive collection of critical media analysis. The result is a volume that interrogates how media sells gendered fantasies — not just products or platforms, but ideals, anxieties, and power structures — through an intersectional lens.
The 13 essays range in topic from digital trends like Tradwife influencers to entertainment media like Glee and The Bachelor; from K-pop music videos to video games like Resident Evil 2. I plan to use this volume in my COM346: Race, Class, and Gender in Media course this fall, and I hope many of you educators, researchers, and anyone interested in media and identity studies will find it insightful and helpful as well.



